## Degrees of the Scale

The degrees of the scale are numbers given to each note of the scale in order.
The numbers are based on the ascending scale:

In a harmonic minor scale, the 7th degree of the scale is always raised by a semitone (half step). In a melodic minor scale, the 6th and 7th degrees of the scale are raised by a semitone in the ascending scale, but no degrees of the scale are changed in the descending scale.

The first degree of the scale is also known as the tonic.

A tonic triad is a chord built up from the 1st, 3rd and 5th degrees of the scale.
For example, here is the tonic triad in F minor:

It’s built on the tonic, F, with the 3rd degree of the scale, Ab, and the 5th, C.

First, work out the lowest note. The lowest note here is G.

Next, look at the middle note – does it occur in the major or minor form of the scale? The middle note here is Bb. Bb occurs in G minor, but not in G major. Therefore, this chord is the tonic triad in G minor.

If you are not sure whether it’s major or minor, you can count the semitones (half steps) from the lowest note to the middle note. If there are 3 semitones, it’s minor, if there are 4, it’s major. For example, G-Bb is 3 semitones (count G#-A-Bb), and G-B is 4 semitones (count G#-A-Bb-B).

You might be asked to work out the clef and a key signature or accidentals to a tonic triad.

Which clef and key signature do we need to add to this tonic triad?

To make the lowest note an A, we need to add the treble clef. (If we put a bass clef, the lowest note would be a C.)

The key signature of Ab major has 4 flats: Bb, Eb, Ab and Db:

## Which Octave?

It doesn’t matter which octave a tonic triad is in. Here are two tonic triads in C major, in different octaves:

Hover your mouse over the questions (tap on mobiles) to reveal the answers.

Which degree of the scale do these melody extracts a) begin and b) end on?
a)

b)

c)

Add the correct clef and key signature to each of these tonic triads.