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Tag: General

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Tips

Top 10 Tips to Ace your Music Theory Exam

Top 10 Tips for Acing Your Music Theory Exam Whatever music theory exam grade you’re taking, use these top ten tips to maximise your marks on the big day! 10. …

  • What Grade am I?
  • ABRSM
    • Grade 1
      • Pitch & the Treble Clef
      • The Bass Clef
      • Accidentals
      • Time Names of Notes
      • Time Names of Rests
      • Dotted Notes
      • Simple Time Signatures
      • Beaming in Groups
      • Tied Notes
      • Major Scales and Scale Degrees
      • Key Signatures
      • Interval Numbers
      • Tonic Triads
      • Dynamics
      • Musical Symbols
      • Musical Terms
      • Grade 1 Music Theory Test (ABRSM)
    • Grade 2
      • Ledger Lines
      • Bass/Treble Clef Transposition
      • Major Scales
      • Minor Scales Introduction
      • Degrees of the Scale
      • Key Signatures and Major Keys
      • Key Signatures and Minor Keys
      • Questions on Scales
      • Time Signatures
      • Adding Bar Lines
      • Working out the Time Signature
      • Rewriting in a New Time Signature
      • Adding Rests
      • Tonic Triads – Major and Minor
      • Intervals
      • Triplets
      • Musical Terms
      • Grade 2 Music Theory Test (ABRSM)
    • Grade 3
      • The Demisemiquaver (32nd Note)
      • Major Scales: E and A Flat
      • Melodic Minor Scales
      • Minor Scales (Grade 3)
      • Key Signatures and Key
      • Tonic Triads
      • Compound Time Signatures
      • Rests
      • Beaming and Grouping (Grade 3)
      • Interval Qualities
      • Transposition (Grade 3 ABRSM)
      • Rewriting Rhythms (Grade 3 ABRSM)
      • Spotting Errors
      • Musical Terms
      • Grade 3 Music Theory Test (ABRSM)
    • Grade 4
      • Breves (Double Whole Notes)
      • Double Dotted Notes
      • 2/8 and 4/8 Time
      • More Compound Time Signatures
      • Duplets
      • Rhythm Rewriting (ABRSM Grade 4)
      • Double Sharps/Flats and Enharmonics
      • Scales and Keys with 5 Sharps/Flats
      • Technical Names of Scale Degrees
      • Chromatic Scales
      • Intervals Between Any Two Notes
      • Triads and Chords
      • The Alto Clef
      • Standard Orchestral Instruments
      • Musical Terms Grade 4 (ABRSM)
      • Ornaments (Symbols)
      • Grade 4 Music Theory Test (ABRSM)
    • Grade 5
      • The Tenor Clef
      • Questions on Pitch
      • Easily Confused Time Signatures
      • Irregular Time Signatures
      • Grouping and Beaming
      • Irregular Tuplets
      • Working out the Time Signature
      • Rhythm Questions (ABRSM Grade 5)
      • Major Scales with 6 Sharps/Flats
      • Minor Scales with 6 Sharps/Flats
      • Scales in Any Clef
      • Identifying the Key
      • Key Signatures
      • Compound Intervals
      • Intervals – Can I Count Semitones?
      • Intervals in a Score
      • Transposing Instruments
      • Musical Instruments Quiz
      • Transposing by a 2nd or 3rd
      • Transposing by a 4th or 5th
      • Chord II – The Supertonic
      • Chord Inversions
      • Cadences (ABRSM Grade 5)
      • Musical Terms Grade 5 (ABRSM)
      • Grade 5 Music Theory Test (ABRSM)
    • Grade 6
      • Rhythm, Pitch and Keys
        • Syncopation
        • Note Names in Other Languages
        • Major Scales with 7 Sharps/Flats
        • Minor Scales with 7 Sharps/Flats
      • Chords
        • Chord V7 – The Dominant 7th
        • Chord VI – The Submediant
        • Chord III – The Mediant
        • Chord VII – The Leading Note
        • Chord II7 (Supertonic 7th)
        • Chord v (Minor Dominant)
        • Chord IV (Major Subdominant; Melodic Minor)
        • Tierce de Picardie
        • Chord Inversions in Music
      • Chord Progressions
        • Common Chord Progressions
        • The Cadential 6/4
        • Passing Chords
        • Other 6/4 Progressions
        • Interrupted Cadence
        • Progressions and Inversions
      • Decoration & Ornaments
        • Unaccented Passing Notes
        • Accented Passing Notes
        • Auxiliary Notes
        • Appoggiaturas
        • Anticipations
        • Changing Notes
        • Pedals
        • Chromatic Decoration
        • Writing Out Ornaments (ABRSM Grade 6)
      • Voice Leading
        • Conjunct and Disjunct Motion
        • Leading Notes and 7ths
        • Augmented and Diminished Intervals
        • Consecutive 5ths and Octaves
      • Q1a | Chords to Accompany a Melody
      • SATB Harmony
        • SATB Doubling, Omissions & Spacing
        • SATB Voice Leading
      • Figured Bass
        • Accidentals
        • Continuation Lines
        • 5/3, 6/3 and 6/4
      • Q1b | Adding a Bass and Figures
      • Q2 | Realising a Figured Bass
      • Modulation
        • Close Keys
        • Prevailing Key
        • Pivot Chords
      • Composition
        • Implied Harmony
        • Motifs, Sequences and Imitation
        • Instrument Ranges
      • Q3 | Composition
      • Style and Form
        • Texture
        • The Baroque Era
        • The Classical Era
        • The Romantic Era
        • The Modern Era
        • Identifying the Era
      • Orchestration
        • The Strings
        • The Woodwind
        • The Brass
        • The Percussion
      • General Knowledge
        • Transposition (ABRSM Grade 6)
        • Intervals in an Orchestral Score
        • Chords and Key in a Score
      • Grade 6 Music Theory Test (ABRSM)
    • Grade 7
      • Scales, Keys and Chords
        • Identifying the Home Key
        • Chord vii°7 (Diminished 7th)
        • Secondary 7ths
        • The Neapolitan 6th
        • Direct Modulation
        • The Whole Tone Scale
      • Decoration
        • Using Decoration Notes
        • Suspensions
        • Simultaneous Decoration
        • Decoration Mistakes to Avoid
        • Analysing Harmony with Decoration Notes
      • Chord Progressions
        • Arpeggio 6/4 (Alberti Bass)
        • Harmonic Sequence
        • Harmonic Sequence with Suspensions
      • Figured Bass
        • Introduction
        • Added 7th Chords
        • Suspensions (Figured Bass)
        • Figure 4
        • Added 9th Chords
        • Q1 | Figuring a Bass Line
        • Q1 | Problem Areas
        • Q1 | Getting Top Marks
      • Harmony Reconstruction
        • Q2 | Chorale Reconstruction
        • Lutheran Chorales
        • Q2 | Method (Chorales)
        • Q2 | Keyboard Reconstruction
        • Q2 | Keyboard Openings
        • Q2 | Keyboard Voice Leading
        • Q2 | Keyboard Decoration
        • Q2 | Keyboard Accompaniment Styles
      • Composition
        • Introduction
        • Q3a | Composing a Solo Part
        • Q3b | Composing a Solo Melody
      • General Knowledge
        • Enharmonic Transposition
        • Crossing Parts
        • Identifying Chords
        • Instruments
        • The Woodwind Section
      • Grade 7 Music Theory Test
    • Grade 8
      • Chords and Keys
        • Introduction
        • Extended Dominant Chords
        • Chromatic Chords
        • Borrowed Chords and Parallel Keys
        • Augmented 6th Chords
        • Secondary Dominants
        • Other Chromatic Chords
        • Distant Modulation
        • Identifying Prevailing Key
      • Figured Bass
        • Review
        • Suspensions (Figured Bass, 3-Part)
        • Figure 5/4
        • Figure 5
        • Figured Decoration
      • Voice Leading
        • False (Cross) Relations
        • 3-Part Voice Leading
        • Voice Leading in Minor Keys
      • Harmony and Decoration
        • Inverted Cadences
        • Harmonic Rhythm
        • Harmonic Analysis
      • Trio Sonatas
        • Trio Sonatas – Introduction
        • Step 1: Dissonances
        • Step 2: Leading Notes
        • Step 3: Roots, 3rds and 5ths
        • Step 4: Patterns
        • Step 5: Momentum
      • Keyboard Reconstruction
        • Introduction
        • Working with the Harmony
        • Using 2nd Inversions
        • Texture and Part-Writing
        • Voice Leading and Consecutives
        • Notation
        • Phrase, Patterns and Sequences
        • Writing Alberti Bass
      • Composition
        • Introduction
        • Analysing the Given Opening
        • Creating a Structure
        • Adapting a Melodic Idea
        • Modulation
        • Idiomatic Writing
        • Composition Walkthrough
      • Grade 8 Music Theory Test
  • Trinity
    • Grade 1
      • Pitch & the Treble Clef
      • The Bass Clef
      • Accidentals
      • Time Names of Notes
      • Time Names of Rests
      • Simple Time Signatures
      • Major Scales and Scale Degrees
      • Key Signatures
      • Interval Numbers
      • Tonic Triads
      • Composing an Answering Rhythm
      • Ostinato
      • Dynamics
      • Musical Symbols
      • Musical Terms
      • Handwriting Music
    • Grade 2
      • Ledger Lines
      • Semiquavers/16ths
      • Dotted Notes
      • Beaming in Groups
      • Tied Notes
      • Minor Scales Introduction
      • Degrees of the Scale
      • Key Signatures and Minor Keys
      • Questions on Scales
      • Transposing at the Octave
      • Time Signatures
      • Adding Bar Lines
      • Working out the Time Signature
      • Adding Rests
      • Tonic Triads – Major and Minor
      • Interval Qualities
      • Composing a Melody
      • Musical Devices
      • Syncopation
      • Musical Terms
    • Grade 3
      • Triplets
      • Major Scales: D and B Flat
      • Melodic Minor Scales
      • Minor Scales: Gm and Bm
      • Key Signatures and Key
      • Chords and Cadences
      • Chord Progressions
      • Compound Time Signatures
      • Rests
      • Beaming and Grouping (Grade 3)
      • Spotting Errors
      • Musical Terms
    • Grade 4
      • Double Sharps/Flats and Enharmonics
      • Irregular Time Signatures
      • Chromatic Scales
      • Intervals Between Any Two Notes
      • Compound Intervals
      • The Alto Clef
      • Intervals in the Alto Clef
      • Transposing by a 4th or 5th
      • Chord V7 – The Dominant 7th
      • Chords I, IV and V
      • Chord v (Minor Dominant)
      • Chord IV (Major Subdominant; Melodic Minor)
      • Chord Inversions
      • Unaccented Passing Notes
      • Harmonic Rhythm
      • Voice Leading
        • Conjunct and Disjunct Motion
        • Augmented and Diminished Intervals
        • Leading Notes and 7ths
        • Consecutive 5ths and Octaves
      • Setting Words to a Rhythm
    • Grade 5
      • The Demisemiquaver (32nd Note)
      • Breves (Double Whole Notes)
      • Grouping and Beaming
      • The Tenor Clef
      • Major Scales: E and A Flat
      • Scales and Keys with 5 Sharps/Flats
      • Key Signatures
      • Identifying the Key
      • The Circle of 5ths
      • Intervals – Can I Count Semitones?
      • Intervals in a Score
      • Chord II – The Supertonic
      • Accented Passing Notes
      • Modulation
      • Ornaments (Symbols)
    • Grade 6
      • Double Dotted Notes
      • Duplets
      • Major Scales with 6 Sharps/Flats
      • Minor Scales with 6 Sharps/Flats
      • Major Scales with 7 Sharps/Flats
      • Minor Scales with 7 Sharps/Flats
      • Chord VI – The Submediant
      • Chord III – The Mediant
      • Chord VII – The Leading Note
      • Chord vii°7 (Diminished 7th)
      • Chord II7 (Supertonic 7th)
      • Chord Inversions in Music
      • Common Chord Progressions
      • Interrupted Cadence
      • Progressions and Inversions
      • Pedals
      • SATB Close v. Open Scores
      • Lutheran Chorales
      • SATB Voice Leading
      • Figured Bass
        • 5/3, 6/3 and 6/4
        • Accidentals
      • Close Keys
      • Harmonic Sequence
      • Texture
      • The Baroque Era
    • Grade 7
      • 2/8 and 4/8 Time
      • Irregular Tuplets
      • Tierce de Picardie
      • The Cadential 6/4
      • Secondary 7ths
      • Inverted Cadences
      • Pivot Chords
      • Prevailing Key
      • Direct Modulation
      • The Whole Tone Scale
      • Using Decoration Notes
      • Suspensions
      • Analysing Harmony with Decoration Notes
      • Arpeggio 6/4 (Alberti Bass)
      • Harmonic Sequence with Suspensions
      • The Classical Era
    • Grade 8
      • Note Names in Other Languages
      • Passing Chords
      • Chromatic Chords
      • Extended Dominant Chords
      • The Neapolitan 6th
      • Borrowed Chords and Parallel Keys
      • Secondary Dominants
      • Other Chromatic Chords
      • Augmented 6th Chords
      • Distant Modulation
      • Identifying Prevailing Key
      • Harmonic Analysis
      • Serial (12-Tone) Composition
      • The Romantic Era
      • Identifying the Era
  • Diplomas
    • Music Theory Diplomas
    • AmusTCL
    • LmusTCL
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Next ABRSM Grades 6-8 Music Theory Exams: 14th November

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