Trinity Grade 7 Music Theory
Welcome to the Trinity Grade 7 Music Theory start page! Trinity Grade 7 Syllabus Rhythm and Form Composers and General Knowledge Classical period as defined in the workbookLayout of Classical …
Welcome to the Trinity Grade 7 Music Theory start page! Trinity Grade 7 Syllabus Rhythm and Form Composers and General Knowledge Classical period as defined in the workbookLayout of Classical …
Inverted Cadences Standard cadences use root position chords, but sometimes cadences with first inversion chords can be used. These are known as inverted cadences. Inverted cadences are unlikely to appear …
Here is a harmonic sequence which comprises a progression of 5ths, each with added 7th chords. It uses a series of suspensions which allow each chord to move smoothly into …
The arpeggio 6-4 is another one of the few progressions where you can use a second inversion chord. (Other progressions with 6/4 chords that you should already know are the …
Chord Notes and Non-Chord Notes When we want to know which chords are being used in a piece of music, it’s important to be able to tell the difference between …
Suspensions are prepared, dissonant non-chord notes which resolve downwards by step. They fall on a strong beat, but are not normally accented in themselves, because they are usually tied backwards …
Auxiliary Notes Auxiliary notes are non-chord notes which are approached and quit in the opposite direction by step. They are usually unaccented. They can either be upper or lower auxiliary …
The chords ii7 and vii°7 are in a group of chords called secondary 7ths. A secondary 7th is an added 7th chord built on any degree of the scale except …
Modulation is the process of changing key. Although most modulations use the progression V-I or V7-I, sometimes music can pass into a new key without any preparation from the new …
The Whole Tone Scale The whole-tone scale is a six-note scale, where each note is a tone (whole step) higher/lower than the next. There are two varieties: Since the interval …