Step 2: Leading Notes (Trio Sonatas)
Step 2. Leading Notes In a three-part texture like a Trio Sonata, the leading note will normally rise by a semitone to the tonic, even in an inner part. The …
Step 2. Leading Notes In a three-part texture like a Trio Sonata, the leading note will normally rise by a semitone to the tonic, even in an inner part. The …
Step 1. Dissonances When we tackle a grade 8 Trio Sonata question, we should begin with the dissonances because the treatment of dissonance in the Baroque era was strict, which …
What is a Trio Sonata? The Trio Sonata genre dates back to the Baroque period – it was a very popular format between about 1600-1750. Despite its name, the Trio …
Harmonic Analysis with Decoration When we analyse chromatic music, we need to begin by separating the layers of music (bass, melody and any middle parts), to work out a functional …
Harmonic Rhythm Harmonic rhythm is the rhythm created by each chord change. The harmony might change with each bar, twice a bar, with each beat, or perhaps every two bars …
Inverted Cadences Standard cadences use root position chords, but sometimes cadences with first inversion chords can be used. These are known as inverted cadences. Inverted cadences are unlikely to appear …
Dissonant Melodic Intervals Augmented and diminished melodic intervals are uncommon but do sometimes occur. Dissonances should resolve by step: move from the dissonance to the nearest possible note. In most …
3-Part Texture Most of the harmony rules we have learned up to now have been based on 4-part, SATB harmony. Music can, of course, be written for any number of …
False (Cross) Relations A false (or cross) relation occurs when a note is placed in close time proximity to a chromatically altered version of itself, in another part. For example, …
From time-to-time unfamiliar figures can appear in figured bass. Most of the time they occur because of decorative notes which are essential to include. Sometimes the figure will include a …